Art Basel Miami Beach 2022

Miami Beach Convention Center
December 1-3, 2022
Booth H1

Jorge Mara – La Ruche is proud to anounce its participation in the 2022 edition of Art Basel Miami Beach.

For the 2022 edition of the Fair we are presenting seminal works by León Ferrari, Sarah Grilo, Rómulo Macció, Mario Pucciarelli, Ana Sacerdote and Kazuya Sakai, a select group of forerunners of Lyrical Abstraction in Argentina during the 1960s and 1970s.


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KABINETT 2022: Sarah Grilo . Works on paper

Our Kabinett sector at ABMB 2022 showcases selected works on paper by Sarah Grilo from different periods, focusing primarily on works ranging from the 1970s to the 1990s. Mostly made with oil, ink and graphite, all works on view possess the same energy, spontaneity and lyricism that distinguish her oeuvre. In these works, as in her works on canvas, Grilo incorporates words, graffiti – like inscriptions, stencils, arrows, symbols, signs and numbers. These are not mere graphic devices, they lie at the root of her personal esthetics.

 

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Sarah Grilo is a major figure of Latin-American art of the second half of the 20th Century.

Upon receiving a J. S. Guggenheim Fellowship in 1962, Grilo moved to New York City and it was at this point that her work took a radical turn. Grilo broke from her background in Concrete Abstraction, and began to incorporate – through her own unconscious formal means – the urban references that surrounded her: from the graffiti that ran rampant throughout the city’s walls, to the traces of letters, numbers, and symbols in various fonts and typographies that peeled off the posters plastered around the city streets.

 

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Grilo’s appropriations during her stay in 1960s New York continued to define her work over the course of the remaining decades, all while maintaining an acute sensibility to color in her highly lyrical and gestural compositions. Grilo’s works then and in the proceeding decades, all sustained a hyper-chromatic sensibility as manifested by her use of saturations of various tonalities and hues.

If we wish to define Sarah Grilo’s works in musical categories we could argue that her works on paper may be considered chamber compositions, whereas her works on canvas might be properly described as symphonic. 


Sarah Grilo – BIO: 

Sarah Grilo is a major figure of Latin-American art of the second half of the 20th Century.

She was born in 1919 in Buenos Aires, where she first studied painting with the Spanish painter Vicente Puig. She lived in France and England and, after obtaining the JS Guggenheim Foundation Scholarship in 1961, moved to New York. In 1970 she moved to Spain, where she lived until her death in 2007.

In 1952 she formed the Grupo de Artistas Modernos (Group of Modern Artists) together with Tomás Maldonado, Enio Iommi, José Antonio Fernández Muro and Lidy Prati, among others. The group held exhibitions at the Museum of Modern Art in Rio de Janeiro and the Stedelijk Art Museum in Amsterdam before its dissolution in 1957. 

Her work has been the subject of a number of group and solo exhibitions in the United States, Latin America and Europe, among others: Solomon R. Guggenheim Museum, New York; Institute of Fine Arts at NYU, New York; Phoenix Art Museum, Phoenix; Cisneros Fontanals Art Foundation (CIFO), Miami; Art Museum of the Americas, Washington DC; Blanton Museum of Art, Austin, Texas; Nelson Rockefeller Collection, New York, United States; Museo Nacional de Bellas Artes (MNBA), Buenos Aires, Argentina; Fundación PROA, Buenos Aires, Argentina; Museo de Arte Contemporáneo Latinoamericano, La Plata, Argentina; Museo Genaro Pérez, Cordoba, Argentina; Galería Jacques Martínez, Buenos Aires, Argentina; Museo de Bellas Artes, Caracas, Venezuela; Instituto de Arte Contemporáneo, Lima, Perú; Stedelijk Museum, Amsterdam, Netherlands; Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain; Fundación CajaCanarias, Santa Cruz de Tenerife, Spain; Fundación Luis Seoane, La Corogne, Spain; Galerie Lelong & Co., Paris, France.

In 2017, Grilo’s work Add, 1965 (recently acquired by the museum), was featured in Making Space: Women Artists and Post-war Abstraction, an exhibition held at The Museum of Modern Art, (MoMA) in New York.